Slow Season
Ripple Music to Release ‘First Contact: Music from the Original Soundtrack ‘The Planet of Doom’ June 22
In the Spirit of R-rated Animated Films Like “Heavy Metal” and “American Pop”, Comes an EPIC Feature-Length Fantasy / Sci-Fi Tale Soundtracked by Underground Metal Artists from Across the Globe
In the spirit of R-rated animated films like Heavy Metal and the works of Ralph Bakshi, Riff Lodge Animation (the studio behind the mind-blowing music video for Conan’s “Throne of Fire”) are creating an EPIC feature-length fantasy/science-fiction film titled “The Planet of Doom”, created entirely by both artists and bands within the doom/stoner/psych/metal genres. Set for release in 2020 and subtitled as “An Animated Tale of Metal and Art”, “The Planet of Doom” features a worldwide assembly of 17 respected artists and animators and 18 revered bands and promises to present a colossal compendium of underground culture and this generation’s ode to counterculture. On June 22, Ripple Music will release First Contact: Music From The Original Soundtrack ‘The Planet of Doom’, a teaser EP including four of the film’s featured groups: Mos Generator (USA), Messa (Italy), Vokonis (Sweden) and Slomatics (Ireland).
Written by art director/producer David Paul Seymour and adapted into a screenplay by animator/director Tim Granda, “The Planet of Doom” is one continuous tale broken up into 15 chapters, each interpreted by a different artist and band team-up. The film contains no spoken dialogue, opting instead to tell the tale via the lyrics of the soundtrack’s original music. In the film, the titular hero, Halvar The Brave, seeks vengeance aboard a witch-born chopper, journeying across a psychedelic landscape on a quest to defeat the deadly beast Mördvél for the slaying of his beloved bride.
““The Planet of Doom” is a tribute to heavy music and the art that accompanies that type of music.” says Seymour. “With this film, we’re seeking to encapsulate the music and art community that Tim and I are a proud part of with one epic body of work. We are also naturally bringing in all sorts of fringe countercultures who’ve attached to this same community: bikers, skateboarders, comic book, and sci-fi fantasy fans. It’s a really vibrant and diversified community, and we’ve certainly brought in the right ambassadors to represent it properly.”
“One of the things we loved about Heavy Metal was the format. We really dug how the style of art changed from one sequence to the next, as if you were reading an issue of their magazine,” adds Granda. “But rather than use a plot device like the “Loc-Nar” to tie a series of unrelated segments together, we wanted to stick to one story that’s split up into a series of chapters, with each being told by a different band and artist.”
The complete list of artists and bands contributing to “The Planet of Doom” reads like a who’s who of the modern day underground scene. Contributing artists include David Paul Seymour, Skinner, Pascal Blanche, Ian Bederman, Maarten Donders, Adam Burke, Alexis Ziritt, Dave Olteanu, Burney, Justin Mohlman, Mikey McKennedy, Matt Stikker, Jason Cruz, Simon Berndt, Gorgeous George, Brian Profilio, Tim Granda, and Forrest Cavacco.
Bands and musicians that will appear on the film’s soundtrack include Cirith Ungol, Wo Fat, Ufomammut, Mos Generator, Slomatics, Elephant Tree, Vokonis, Phillip Cope (Kylesa), Slow Season, Messa, Summoner, Space Witch, Destroyer of Light, Mother Crone, and Tim Granda.
First Contact: Music From The Original Soundtrack ‘The Planet of Doom’ track listing:
1.) Mos Generator “Sword of the Sea’
2.) Messa “Serpent Libido”
3.) Vokonis “Runa”
4.) Slomatics “Jagaer”
Pre-order First Contact: Music From The Original Soundtrack ‘The Planet of Doom’ at this location.
David Paul Seymour and Tim Granda are available to speak with interested media. To chat with the artists and/or request a review copy of First Contact: Music From The Original Soundtrack ‘The Planet of Doom’, simply contact Carl Schultz at ACTION! PR.
“The Planet of Doom” channels spirit of “Heavy Metal” movie.” – Heavy Metal Magazine
“Now THIS is an animated movie I’ll take my kids to! Fuck Frozen, it’s all about “The Planet of Doom”!” – Cvltnation
“I could gush and go on and on about the admirable undertaking that is bringing so many artists and bands together…It’s a massive, comprehensive project.” – The Obelisk
“The Planet of Doom”…looks so damn epic and manly that it just shot right to the top of the list of my most hotly anticipated animated films.” – Dread Central
Locked and loaded! Here are the band/artist team-ups for each chapter in THE PLANET OF DOOM! We are stoked to announce that everyone here is signed and on-board.
Check out the interview with The Planet of Doom writer David Paul Seymour and director Tim Granda on the Into The Void Radio podcast! Also treat your ears to lots of killer deep cuts from our movie bands: Cirith Ungol, Orchid, Conan, Wo Fat, Mos Generator, Order of the Owl, Slow Season, The Well, Summoner, Goya, Mother Crone, Scorpion Child, and Ironweed!
Slow Season
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Press “play” on Slow Season’s second full-length album “MOUNTAINS” [RidingEasy Records], and you might just forget what era you’re in. It could very well be the sixties, seventies, or now. It almost doesn’t matter though because this is hypnotic, heavy, and howling rock ‘n’ roll that defies both musical and temporal categorization. The Central California quintet—Daniel Rice [vocals, guitar], David Kent [guitar], Hayden Doyel [bass], and Cody Tarbell [drums]—scale new heights, while recognizing where it all began.
“I’d love for people to wonder if this record is actually from 1969,” grins Cody. “We wanted to capture that spirit. That was the goal.”
In order to do so, the musicians holed up in Cody’s home studio, which actually doubles as his parents’ garage, and cut the ten tracks on “MOUNTAINS” throughout the course of early 2014. Hayden had just returned home from a short detour at college in Idaho before recognizing he belonged jamming with his brothers. Officially back in the fold, excitement to record proved pervasive. Moving when inspiration struck, they actually recorded the songs live on reel-to-reel tape. Eschewing the digital mindset of today and not even uttering the words “Pro Tools”, everything was caught on analog, giving the music a crackling kinetic energy.
“I like everything associated with reel-to-reel,” Cody goes on. “I love the sound. I like the mojo that comes along with it.”
“Working with the limitations of tape really pushed us to play our best,” adds Daniel. “You have to prioritize your ideas. You can’t layer too much on there. You also have to nail the takes. You don’t get to go back and cut paste. You have to feel it when you’re playing it. When everything comes together, it really shines because we’re all playing together on tape.”
They lock in during the album opener and first single, “Sixty-Eight”. It snaps into a bluesy riff and bombastic beat before Daniel lets out a soaring refrain and a screeching solo roars. “We wanted to nod back to Led Zeppelin,” the vocalist says. “We managed to get this really big sound in the garage. It’s very organic and natural. The subject matter is pretty gnarly, and I’d encourage everyone to take a close listen to the lyrics.”
That mystique carries over to the hazy “Synanon”, which details the exploits of a mountain cult nearby where the boys reside. Meanwhile, “Endless Mountain” drives forward on robust guitars and propulsive drums. It also reflects the overarching theme inherent within the title.
“MOUNTAINS embody a few things,” explains Daniel. “They’re difficult, seemingly insurmountable, and bigger than us. They’re both foreboding and beautiful at the same time. I had been doing a lot of hiking and backpacking in the higher Sierra Nevada. It all fit together. We live right next to Sequoia National Park, and we go up there all the time. We connect with the idea of man versus nature.”
Slow Season first emerged in 2012 with their self-titled debut. Supported by shows throughout California and nationally, they began to garner palpable buzz. Now, “MOUNTAINS” kicks off their next chapter. However, they’ll continue to exist within an epoch of their own.
Daniel leaves off, “I want to people to walk away knowing there’s integrity behind the music, the process, the words being sung, and the notes being played. We love what we do, and we hope that listeners do too.”
